NanciNet Digest 12-03-99
// Concert reports -- full ones! And "best of 99" lists -- lots of 'em.
// And more!
// Enjoy...[BP]
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Subject: NN: Anti-Landmine Concert at Stanford
Date: Fri, 3 Dec 1999 03:36:31 EST
From: BMiller224@aol.com
I had the good luck to be at the concert Wednesday evening at Stanford, the
first installment of a five-day, five-concert California tour that Emmylou
Harris is putting on to benefit the Campaign for a Landmine Free World,
cosponsored by the Vietnam Veterans of America Foundation (VVAF).
The show itself was excellent, with Emmy, John Prine, Patty Griffin, Bruce
Cockburn, Nanci Griffith, and Steve Earle (in seating order) performing in
what Emmy described as the "singer-songwriter thing," meaning they sat in a
row and performed sequentially. Mostly, each sang alone accompanying
themselves on the guitar. Emmy sang harmony on several songs and sang lead
on one of the verses on Nanci's last song.
Nanci seemed to be having a great time and her voice sounded wonderful. She
opened her first number by raving about Bruce Cockburn's guitar playing and
introducing "Trouble in the Fields" by saying Emmy particularly liked it.
She sang a brand new song, dedicated to her goddaughter in Montana, I'm
guessing "Midnight in Missoula" as the title. The song includes mentions of
Gershwin and Samuel Barber, so it sounds like Nanci's writing continues to be
influenced by her classical music interests.
Her other three songs were "Across the Great Divide," "Grafton Street," and
"It's a Hard Life," Emmy singing the second verse on the latter with Patty
Griffin also singing harmony.
Emmy’s first song was "Raise the Dead," though she gave it a ghostly, Daniel
Lanois-type treatment noticeably different from her recorded version with
Linda Ronstadt. Her next three songs (she let everyone else do five songs)
were new ones, all of them I believe written by her. I really enjoyed
hearing her new material.
But if someone were hearing Emmy for the first time Wednesday, they might
think she was a female version of Townes Van Zandt on downers. The first new
song was a piece with religious overtones that started out talking about
dragons flying low, and included lines like, "Sorrow is constant/Joys are
brief."
The second was a song she said was her tribute to marriage. It included the
narrator looking forward to binding up her mate's fatal wound and hearing the
last breath leave his lips. It continued along the lines of, "When they
excavate my heart/They’ll find the impression of your face there," or
something to that effect. The third was a nostalgic, enigmatic piece which
may be called "Michaelangelo." Interesting, even beautiful songs. But none
of them the "silly love song" variety!
The biggest hit of the show seemed to be Steve Earle singing his "Goodbye"
with Emmy doing harmony (Emmy sings it on "Wrecking Ball.") Steve introduced
it by announcing to the crowd he had been "clean" for five years this past
September, to the crowd's applause. He said he didn't kick hard drugs
because he wanted to, but because "they locked my ass up." He said "Goodbye"
was the first song he wrote when he was released from jail to a recovery
house, before he was sent back to jail a month later.
Patty Griffin's "Mary" got the second most enthusiastic crowd response. I
was not familiar with her work and Bruce Cockburn's, so this was a great
introduction. I was somewhat more familiar with John Prine's material, and
it was great to hear him and his funny, irreverent songs Wednesday.
VVAF President Bobby Muller gave a brief but very effective presentation
before the intermission about the anti-landmine cause. Several of the
performers commented directly about the issue as well, although they left
most of the details to Muller. Bruce Cockburn played a song of his called
"The Mines of Mozambique" and gave the impression of having being actively
involved with the issue for a while. Nanci introduced "Hard Life" with her
standard line from Martin Luther King that there are no bad babies born into
the world. She expanded it to say that the anti-landmine cause was to
prevent babies from being blown up when they walk into the forest or the
fields.
Bruce C and Steve Earle also had quite a bit to say about the protests in
Seattle. Bruce followed his comments with a song which seemed to be about
how neocolonialist aggressive and corporate greed where pillaging the world
and generally oppressing the poor. Or something to that effect. Also not
one in the "silly love song" category.
But it wasn't just an evening of only "protest" songs and general heavyosity.
It was good entertainment and delivered a clear message about a worthy
cause. And hopefully raised some money for it, too.
Bruce Miller
San Bruno CA
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Subject: Re: NN: Anti-Landmine Concert at Stanford
Date: Fri, 03 Dec 1999 09:32:24 -0500
From: "Donate von Bredow-Gardner" (dvbgardner@genelogic.com>
Bruce, thank you for a brilliantly told review of this
concert.... I felt as if I was there (wishful thinking :).
There aren't enough of these kinds of concerts here in the
Washington, D.C. area - one would think this should be the
perfect venue. The best concert here in recent years was Bonnie
Raitt's/Indigo Girls' NoNuke benefit a few years ago, with
Jackson Browne and Beth Nielsen Chapman and representatives of
the Native American Nation. Poetry, Indian Chants and, of
course, the wonderful artists listed above.
Thanks again for including us in your reflections.
Donate "who once was a protest songwriter but succumbed to the
demands of the yucky corporate world to feed her kids" von
Bredow-Gardner
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Subject: Re: NN: Anti-Landmine Concert at Stanford
Date: Fri, 3 Dec 1999 19:58:29 EST
From: Tricia9999@aol.com
dvbgardner@genelogic.com writes:
> Donate "who once was a protest songwriter but succumbed to the
> demands of the yucky corporate world to feed her kids" von
> Bredow-Gardner
Actually, one of the things Steve Earle said as he was closing and talking
about the Seattle stuff, was that he had sort of moderated when he had kids
and was worrying about feeding them, getting them to grow up without too many
problems. Then when he hit bottom and shouldn't have survived, but somehow
did, he rethought, and realized that he was right the first time all along.
He has apparently, in his 5 years of being clean, become quite an activist.
Tricia Breen
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Subject: NN: Review of Wednesday's Landmine concert
Date: Fri, 03 Dec 1999 13:30:38 -0800
From: Ron Crain (ron@arken.net>
I have scanned and posted to my web site below a review in today's San Jose
Mercury News for anyone who might be interested.
http://www.arken.net/ron/nanci.html
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Subject: NN: A concert report
Date: Fri, 03 Dec 1999 18:58:42 GMT
From: raj@inspace.net (Bob Juliano)
Here is a note I pulled from BLUEGRASS-L regarding the
Landmines show. Nanci gets a good review. Could not attend
myself as I still live in Florida and Nanci has still not come
round here lately. But there IS hope for a tour for this
line-up, I've got my fingers crossed. It would be great.
Reprinted in it's entirety with the author's permission.
Still waiting for Nanci,
Bob Juliano
raj@inspace.net
**MR LIST MANAGER: EDIT AWAY IF YOU FEEL LIKE IT NEEDS IT**
__________________________quote___________________________
Emmylou Harris et al/ by Lee Jones
Not bluegrass, but...
I went to see Emmylou Harris and Friends last night in Palo Alto
- a benefit concert for the Committee Against Landmines [1]. If
you get a chance to see this tour, don't miss it: From right to
left across the stage, Emmylou, John Prine, Patty Griffin, Bruce
Cockburn, Nancy Griffith, and Steve Earle. I could have sat and
listened to any *one* of these people for an evening, but having
all of them was truly incredible. Executive summary:
1. Best overall: Gotta be Nancy Griffith, and I really didn't
know her before the show. I recognized only one song she sang
("Trouble In the Fields"), thanks to Maura O'Connell's
recording. But they were all great songs, and she has a
beautiful voice.
2. Best instrumentalist: Bruce Cockburn. He's a wonderful guitar
player, with a quasi-Koettke sound.
3. Most Politically meaningful songs: Bruce Cockburn. I didn't
necessarily *agree* with all of them, but they were passionate
and eloquent.
4. Most perverse lyrics: tie between Prine and Earle. Both are
brilliant (if twisted) songwriters. I wished John had sung
"Angel From Montgomery," but he's probably tired of performing
that by now.
5. Best song of the evening: Nancy Griffith singing "Hard Life",
with harmony by Patty and Emmylou.
6. Biggest disappointment: paucity of duets, trios, etc. Emmylou
occasionally jumped in with a little harmony here and there, but
it wasn't much, and what she did didn't particularly turn me on.
Bruce Cockburn did some ad hoc things on guitar which were very
tasteful and well-appreciated. But with that crowd, there could
have been some stunning vocal combinations.
7. Overall score: B+ or A-
If you get the chance, get out there and see it.
Regards, Lee
[1] As my friend along with us said, "Gee, *I'm* against
landmines." [2]
[2] If any of the statistics they quoted from the stage were
*near* correct, it's truly obscene. 80-90 million anti-personnel
landmines are currently deployed (with many of them no longer
mapped by anybody), and 200 million stockpiled for future
deployment. In Cambodia, a country of 8 million people, there
are/were 10 million landmines planted.
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Subject: Re: NN: A concert report
Date: Fri, 03 Dec 1999 22:25:16 -0500
From: Shawn Kimbro (kimbro@planetc.com>
Bob Juliano quoted from BLUEGRASS-L wrote:
> 1. Best overall: Gotta be Nancy Griffith, and I really didn't
> know her before the show. I recognized only one song she sang
> ("Trouble In the Fields"), thanks to Maura O'Connell's
> recording. But they were all great songs, and she has a
> beautiful voice.
Yeah, that girl has a way of breaking bluegrass hearts, hey Bob?
-Shawn
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Subject: NN: yet another concert report
Date: Fri, 03 Dec 1999 22:57:51 -0800
From: nkn (jessiev@azstarnet.com>
Hi,
nan, here, having just found you-all, and delighted to have done so.
And I can report on the second of the anti-land mind concert series. Last
night, in Santa Rosa, CA. And I can but echo the earlier enthusiastic
reports. It was *wonderful*!
Interestingly, altho the line up was identical to that reported from the
Stanford show, the song selections were significantly different. Nanci did
'The Wing and the Wheel', accompanied by a wonderful Sonoma county guitar
virtuoso named Nina Gerber. And then a Kate Wolf tune, 'The Great Divide'.
This might well have had something to do with Nina's presence as Nina was a
very close friend of the late, and great Kate, and did a comp. CD of Kate's
greatest hits last year with Nanci and Emmy Lou among other performers doing
the tunes. A class job! She then did, amazingly I thought, an audience
participation version of 'If I Had a Hammer', and finally what I think of as
her signature piece, 'It's a Hard Life Wherever You Go'.
And everyone else was super too. Been a John Prine fan since the sixties,
and it was such a delight to see him. He did a new number he's just written
for a film, yet to be released, a duet in which he sang both the boy and the
girl, as he put it. And 'The Sins of Memphisto', one of my faves!
Emmylou Harris is more beautiful than ever, taking perfect advantage of the
changes the years have wrought in her voice. She did a number from the last
album, the one with Linda Ronstadt, a new tune she said was quite literally
hot off the presses, and one of my all time favorites, 'From Boulder to
Birmingham'.
Patty Griffith, a clear crowd favorite, is someone I've never heard before.
And whoever it was that said 'Mary' was a huge hit, was right on! What a
great tune. I scuttled myself off to Amazon.com first thing this morning to
order her latest.
Now I have never been a Bruce Cockburn fan, allowing as how his guitar is
simply splendid, but finding his voice somewhat less than pleasing. Not to
detract from his talent really, just to state a personal preference for
certain sounds, or lack thereof. He sure does play a fine guitar! (G>
And Steve Earle, as honest a performer as I've ever seen, was great, as
usual. Absolutely brought down the house with a group version of his
'Christmas in Washington', which closed the show.
And wowee, holy toledo, man oh man - did we ever get a bonus! Emmylou,
speaking of her delight at the role of hostess for this event, stood up and
told us how very very pleased she was to be able to announce a special guest
performer when it was John Prine's turn (this was in the form of the
singer/songwriter circle wherein each performer in turn did a tune), and up
on the stage walked Bonnie Raitt. After the five minutes of cheers from the
incredibly appreciative audience, and Bonnie talking about how she loves the
house so (The Luther Burbank Center in Santa Rosa) and how she's played
there so often but that this was the first time she ever got to sit in the
audience, and that she was having such fun that she really didn't want to
leave her seat - she and John did a duet of 'Angel From Montgomery'. I had
to wonder if the house could hold up under the cheering crowds, all on their
feet. What a moment!
Ya know about dreams coming true? Two of my all time favorite voices. One
of my all time favorite tunes. And there they were, the two of them who
have done it better than anyone, he writing it and she doing the
quintessential interpretation - there they were, singing it together. Wow.
Doesn't get a whole lot better'n that, ya know?
A great cause. Wonderful performances by singularly talented performers.
Close to the perfect evening. It is music that feeds me, more than anything
else. And last night? Fully fed! Most very fully fed!
If you get a chance, GO! Spend the sixty five bucks, or forty five or
eighty five. Hock something. Yr car probably needs a good work out anyhow,
and the drive is worth it. Well worth it!
And again, pleased to meet you all. Might just toss out my ten favorite
albums for '99. Am finding it so very interesting that other than all of us
being Nanci fans, our other musical tastes seem to vary so widely.
another Nanci fan,
nan
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Subject: Re: NN: yet another concert report
Date: Sat, 4 Dec 1999 02:50:57 EST
From: MAUDEENW@aol.com
jessiev@azstarnet.com writes:
(( she and John did a duet of 'Angel From Montgomery'. I had
to wonder if the house could hold up under the cheering crowds, all on their
feet. What a moment! >>
This gave me chills and brought tears to my eyes!!! What a moment that must
have been. ANGEL FROM MONTGOMERY is a longtime favorite of mine. Once gave
a street musician extra $$ just because she was singing it (g>. So I was
thrilled just to hear John Prine sing it in October (I had gone to the
concert to hear Iris Dement, so unfamiliar with Prine's work I didn't know he
wrote AFM - so was thrilled. He has a new fan, BTW (g>). But to hear John
and Bonnie do it together must have been an unbelievable experience.
~Maudeen
http://maudeen.tripod.com/1999travels/index.html
Friendship is born at that moment when one person says to another: "What!
You, too? Thought I was the only one." C.S. Lewis
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Subject: Re: NN: yet another concert report
Date: Sat, 4 Dec 1999 02:55:54 EST
From: Annavedo@aol.com
Aw, Nan.....
I don't know whether I am thrilled or completely bummed out by your
review! I was to have gone to the Santa Rosa concert, but life got in the
way (my daughter's own high school winter concert---I'm a mother first and a
Nanci fan second). I live in Colorado, but am a native of California
(northern) and my sister lives in Santa Rosa. We had been talking of it for
months and were so excited at the prospect of going to see this concert,
together with a couple of our other siblings. When you mentioned that Nanci
did "If I Had a Hammer" I found myself giddily chuckling aloud, as this is
one of my favorite NG numbers. I pictured myself in that audience, wearing
my NanciNet T-shirt, gaily singing along. But when you said BONNIE RAITT was
a surprise walk-on, I had an emotional outburst that nearly woke my husband!
Oh, to have been there!
My only consolation is that my daughter was chosen to play tambourine in
one of the numbers, and got to take a special place on stage, as well as
special mention in the program (hey, these are the moments mothers live
for...)!
Thanks so much for sharing!
*Anne*
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Subject: NN: mca years
Date: Fri, 3 Dec 1999 05:25:23 -0500
From: "Charlie Butler" (Charles.Butler@BigFoot.com>
(( but more
importantly, i achieved a bit of an epiphany. while listening, i came to
"love at the five and dime" which i had never heard live before. following
the wonderful intro about all the woolworth's being the same all over the
world, and listening to this simple, sweet love song, i suddenly remembered
why i listen to music. >>
Michel,
I couldn't agree with you more about Five and Dime. I have heard several
different versions of this song on her various albums and in concert and the
slight differences between each version make this song stand out as a
favorite for me. I heard Nanci sing it live in Oct of 97 and her discussion
about the "elevator", her reproduction of the "dinging" sound and
announcement that the elevator had reached "Ladies Lingerie" will always be
with me.
Chuck
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Subject: NN: mca years
Date: Sat, 4 Dec 1999 15:25:51 EST
From: RoanInish@aol.com
Yes, "Love at the Five and Dime" is an extraordinary song, perhaps Nanci's
finest. As much as I adore the spoken intro to it in the live version (and I
do adore it), nothing can beat the original studio version which feature Lyle
Lovett on backing vocal. It, wonderful monologue from the live version not
withstanding, is the definitive version for me.
_________________________________________________________________
Subject: NN: deadlines?
Date: Fri, 3 Dec 1999 09:20:14 EST
From: HenryJG@aol.com
I saw that the top 10 of 99 has a Christmas deadline. Can someone tell me if
there are deadlines for the top 100 of the century and top 20 of the 90s
lists?
Thanks,
John
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Subject: NN: Re: FAD-the book
Date: Fri, 3 Dec 1999 09:16:16 -0600
From: Michael Wilt (mwilt@smp.org>
Griffsters,
A few days ago, I wrote,
>>She [Nanci] points out, for example, that "no performance has ever been as
dear as performing it once, with Julie on piano, at Carnegie in the fall of
1987."((
To which "Brian Mich" (b.mich@worldnet.att.net> responded,
>I was there for the performance mentioned below (though I don't remember it
as 1987, necessarily. I thought it was later.) Nanci opened for John Prine
and it was truly a magical night, particularly that performance of "From a
Distance". The post brought back a great memory, thanks.(
I was also at that wonderful Nanci/Prine concert, and Brian is right--that
took place later, on June 16, 1988 (my first date with my wife, so I
remember--ain't I romantic? It was also Bloomsday, as I'm sure odddduck
would like me to point out. [How ya doin', Bill?!]). So either Nanci is
wrong about the date or there was an earlier Carnegie appearance with Julie.
In any case, it was not their first or only pairing for From a Distance,
which I saw them perform together at the Bottom Line a year or two earlier
(dateless I was that night).
Tonight we're out to see Lucy Kaplansky at the Pump House in LaCrosse, WI.
Any other netters in the vicinity goin' that way?
Michael "editor seeking new publishing position; resume available upon
request" Wilt
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Subject: Re: NN: Re: Nanci/JulieGold/Springsteen/Lucy
Date: Fri, 3 Dec 1999 13:33:41 EST
From: Brimpls@aol.com
Dear Michael,
It's so sweet that your first date with your wife was a Nanci concert. What a
good beginning! So it was a Nanci and John Prine night with an appearance by
Julie Gold? Cool!
I would never have discovered the wonderful Lucy Kaplansky were it not for
this group of NanciNet people. Now her songs are a big part of me. I am sure
you'll enjoy hearing her live.
I have a quick Lucy story to share, if that's okay: My husband and I went to
hear Broooooooce Springsteen and the E Street Band this past Sunday night
here in Minneapolis. We got to our seats early and settled in; next to us was
a family originally from Texas: the pretty mom about my age (42) was seated
next to me, then her two daughters ages 10 and 13, and then her husband, a
major Bruce fan. We got to talking and I distributed earplugs (I'm such a
mom!), as I had many extra pairs in my purse. The girls were grateful. We
discussed Bruce for a while. I had the set list from previous shows which I
shared with them, and then out of the blue, before we'd even shared any more
musical info, she said, "I bet you like Lucy Kaplansky!"
Wow--that was so amazing! Of course I excitedly told her yes, that I listen
to Lucy all the time, and that I was so sad I had to miss her concert in
Mpls. in October, because I had tickets that night to see Lucinda Williams
across town. Well, it turns out that this nice woman seated next to me at
Springsteen had heard Lucy in concert in October, so we talked all about the
show and the venue and such. It just made for such a nice connection. My
husband said to me later, 'You should have gotten her name and phone number;
she seems to have the same musical taste as you!' and of course he was right,
but you know how it is at a concert, it just never occurred to me at the time.
Anyway, it truly is a small world.
And yes, Bruce and the band were absolutely fabulous. It was unforgettable.
Sabrina in Mpls.
_________________________________________________________________
Subject: NN: Denice Franke
Date: Fri, 3 Dec 1999 11:40:02 EST
From: Tricia9999@aol.com
I'm wondering if anyone has developed an opinion of her new album? I have
been waiting to hear any reactions.
Nice to hear a new song from Nanci at the concert the other night. All were
great, although some were somewhat low energy (or maybe just somber due to
the horrific facts of the landmines). I found Patty Griffin's Mary quite
moving as did the crowd.
Tricia Breen
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Subject: NN: Top 10 of 99
Date: Fri, 3 Dec 1999 00:39:11 EST
From: ChocChippy@aol.com
KW's favorite albums of 1999:
1) Hedwig & the Angry Inch (soundtrack). Played more times than any other
album I bought this year. The soundtrack of a brilliant rock musical is the
best album David Bowie, the Sex Pistols, Iggy Pop and the Beatles never
recorded. "Lift up your hands!"
2) Return of the grievous angel (v/a). Played almost as many times as Hedwig
in fewer months. So beautiful. I wore this one out & need to buy a new copy!
3) Celebrity Skin/Hole. Another outstanding album from a great band.
"Northern Star" is probably my favorite track.
4) She Talks to Rainbows EP/Ronnie Spector. If you ask me, this is the best
collaboration between a Spector and a Ramone (Joey). Only problem is, it's
not long enough!
5) Hamburger/The Muffs. So, I liked the compilation better than the studio
album. It's a GREAT compilation by one of the my favorite bands of the 90s.
The phone message from Courtney is priceless.
6) The Chieftains/Tears of Stone. Joni Mitchell's, "The Magdalene Laundries"
is a searing, beautiful original.
7) Burnzy's Last Call (v/a) soundtrack. I love imaginary rock bands.
particularly imaginary rock bands from the early-mid-late 60s. In this
compilation, Deborah Harry, David Johansen, Graham Parker, The Smithereens,
Evan Dando, Lou Christie & Soozie Tyrell pretend to be David Bowie, Herman's
Hermits, Frankie Valli, Mary Hopkins, Perry Como and others. Smart AND you
can dance to it.
8) Piece of Work/The Brain Surgeons. Sad, beautiful, hard rock. They do not
go gentle into that good night.
9) The Dust Bowl Symphony. Because she's Nanci, dammit!
10) Fetish/Joan Jett & the Blackhearts. Because she's Joan, dammit!
Honorable mentions: Viva El Amor (Pretenders); Trio II; Julia Fordham
Collection (Julia Fordham); Live at McCabe's (Nancy Wilson); Diana Krall's
latest.
_________________________________________________________________
Subject: NN: Top Ten, etc...
Date: Fri, 03 Dec 1999 17:53:11 -0500
From: "Kristina Plath" (flyer23@angelfire.com>
Hi All (& Vicki)
Ok, first, the top Cd's. I don't know if I can round up ten, for I am 16 and
still rely on Santa for most of my music. There isn't much I bought this year
that was released this year. But here goes.
In order:
Nanci-- DUSTBOWL SYMPHONY
Kate Campbell-- ROSARYVILLE
Lucy Kaplansky-- TEN YEAR NIGHT
Cheryl Wheeler-- SYLVIA HOTEL
Indigo Girls-- COME ON NOW SOCIAL
Dixie Chicks-- FLY
Mary-Chapin Carpenter-- PARTY DOLL
Ok, it's only seven. But I could easily come up with a list of 1998
releases... hmmm.....
I'd love to get in on the tape exchange, but I've promised far too many people
tapes as
is.... maybe next year....
If there's anybody out there still working on their 100 Songs of the Century,
there's only a
month left!! (Shawn!! : ))
Wings & wheels...
Kristina "cuz the weather's in my bones...."
_________________________________________________________________
Subject: NN: Another Top Ten
Date: Fri, 03 Dec 1999 18:56:06 -0600
From: Ed Maier (eddie@flash.net>
1. A Far Cry From Dead- Townes VanZant
2. Western Wall- ELH and LR
3. Return Of The Grievous Angel- Various
4. Rosaryville- Kate Campbell
5. Dustbowl Symphony- NG
6. A Crash Course In Roses- Catie Curtis
7. Recommended For Airplay- David Allen Coe
8. The Pilgrim- Marty Stewart
9. Wandering Strange- Kate Campbell*
10. (Only bought nine that were released during this year)
* Yah, I know it's not released yet. No, I don't have it. Just
trust me, okay? Stick with me and you'll wear brass buttons.
Ed
_________________________________________________________________
Subject: NN: Re:The Music of 1999
Date: Fri, 3 Dec 1999 19:45:52 -0600 (CST)
From: PhotoTwang@webtv.net (Richard Hill)
I already posted a longer list on [moonpie], but my 'Top 10' were as
follows:
#1 (Album of the Year) Ten Year Night - Lucy Kaplansky
#2 - What I Deserve - Kelly Willis
#3 - Traveling Miles - Cassandra Wilson
#4 - Forget About It - Alison Krauss
#5 - Rosaryville - Kate Campbell
#6 - Night in a Strange Town* - Lynn Miles
#7 - Broken Things - Julie Miller
#8 - The Man From God Knows Where - Tom Russell
#9 - Return of the Grievous Angel - various (Gram Parsons tribute)
#10 - In Spite of Ourselves - John Prine
*(Lynn Miles' disc made some people's list for 1998, but wasn't
'officially' released in this country 'til January of this year).
Also:
Song of the Year:
In Spite of Ourselves - John Prine & Iris DeMent
Richard
_________________________________________________________________
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