NanciNet Digest 12-22-99
// Sorry to be delayed...life got in the way.
// More discussion of the Pittsburgh concert, and more lists,
// and more. Enjoy...[BP]
_________________________________________________________________
Subject: Re: NN: Nanci's Pittsburgh Concert
Date: Sat, 18 Dec 1999 11:18:56 -0800 (PST)
From: John Houser (jchouser@yahoo.com>
> She played a new song, called
> "Midnight In Missoula," which she
> dedicated to her
> goddaughter Julia.
During her Barnes and Noble chat, Nanci indicated
working on a new album of new material - any inkling
from anyone this is one of the songs (this is post #2
at least saying how great this song is)...
> She also mentioned that soon
> on her own website we
> would be able to order these scarves,
> with the
> profits going to these
> courageous Cambodian women.
Wow. I'll have to do some digging around, these would
make wonderful late Christmas presents, and, once
again, Nanci shows that she does more than just write
fabulous music...
Well, I haven't finished cuppa Joe #1 yet, so got to
go, Happy Holidays out there everyone...
_________________________________________________________________
Subject: NN: top 10
Date: Sat, 18 Dec 1999 13:53:45 -0600
From: Jackie Burger (jburger@cyclesoftware.com>
In order:
1. Mirrorball - Sarah McLachlan
2. Dust Bowl Symphony - NG
3. Come On Now Social - Indigo Girls
4. Fly - Dixie Chicks
5. By 7:30 - Vonda Shepherd
6. Live in Concert - Natalie Merchant
7. Supposed Former Infatuation Junkie - Alanis
8. Breakdown - Melissa Etheridge
9. Party Doll - MCC
10.Live in Central Park - Sheryl Crow
Not too much original material here either...it was quite a year for me and
concerts - I was lucky enough to see 7 of these 10 selections live this
year and I guess those experiences have really stayed with me.
(Highlight: Indigo Girls from the 3rd row in the pit 2 weeks ago. I have
always enjoyed Emily's music, lyrics, and voice but being this close
allowed me to gain a new appreciation for her guitar playing - my friend
and I deemed her "The Goddess" that evening!)
Anybody from the St. Louis area? I am going down there to work for 5 months
and wonder if anyone can tell me the sights and experiences I just
shouldn't miss.
Best of the season to all...
j. burger
mpls.
"put this silence in my heart in a better place"
_________________________________________________________________
Subject: NN: Re: Bright Morning Stars
Date: Sat, 18 Dec 1999 16:39:55 -0500
From: Shawn Kimbro (kimbro@planetc.com>
Hi Folks --
It doesn't look like I'm going to get around to personally thanking each
of you who sent cards and messages after the death of my father. Still,
I want to tell you how they touched me and how much comfort I found in
your kind words. It know it isn't sufficient, but from my heart,
Thank You.
-Shawn
----
Sunday Morning Rain
Shawn Kimbro
You left on a Saturday
Afternoon like any other day
I didn't think that things could change
So soon last night as I walked by the river
I watched the reflections
Of a hundred falling stars
Spell out your name
But I'm up at dawn today
And the sky has turned so gray
It's as if even the clouds
Know a part of my heart
Has been carried away
In the Sunday morning rain
In the Sunday morning rain
Knowing things will never again
Be the same
Hiding my eyes from all the pain
And the clouds that fill my heart
In the Sunday morning rain
We'll get along we'll be fine
I know that's how you wanted it
And the sun again will shine
But today while it's gray I feel so afraid
And these tears in my eyes keep falling
Like the Sunday morning rain
In the Sunday morning rain
Knowing things will never again be the same
Hiding my face from all the pain
And the stars that fall like tears
In the Sunday morning rain
Copyright © 1999 Shawn Kimbro
// oh, my...[BP]
_________________________________________________________________
Subject: Re: NN: Re: Bright Morning Stars
Date: Mon, 20 Dec 1999 12:13:22 EST
From: RonHennesy@aol.com
Hello Shawn,
My sympathies for the loss of you father.
My guess is you've set your beautiful and moving falling star poem to music:
say for voice and guitar. I'd be very interested in hearing your song at you
WEB site, and I bet other NN fans would also like to hear it.
Best wishes,
Ron Hennessy
_________________________________________________________________
Subject: Re: NN: Re: Bright Morning Stars
Date: Mon, 20 Dec 1999 12:23:59 EST
From: Brimpls@aol.com
Dear Shawn,
I also found your poem or lyrics very moving, and my heart goes out to you
and your family at this holiday time. The holidays are very bittersweet when
we are grieving.
Thank you for sharing it with us all. We are connected through our love for
Nanci's words and music, after all, and I think it's wonderful that you
shared yours with us.
Sabrina in Mpls.
_________________________________________________________________
Subject: NN: Oakland concert
Date: Sat, 18 Dec 1999 12:07:28 -0700
From: "Mark D. Gardner" (markdgardner@mindspring.com>
Great review!
>There was a wistfulness about Griffith, too, as she dipped into her catalog
>to play songs inspired by the holidays. "Brave Companion of the Road"
>rang out with hope, while a new song about Griffith's goddaughter again
>emphasized her deep connections with family and friends.
I'm thrilled to hear she's performing this, one of her most wistful, poignant,
and melodically thrilling songs. And I'm dying to know what she's doing
to make it ring out with hope!
>Griffith turned up the energy of the concert, though, especially with her
>rocking version of "Outbound Plane." The song even included chord
>progressions from the Who's "Baba O'Riley" in its smashing coda.
Wow!! This could be accidental, but then again...I hope it isn't!
Mark Gardner
Louisville CO
"There is nothing more agreeable, more pleasantly summery, than to
stroll along railroad tracks in a new shirt." - Bill Bryson
_________________________________________________________________
Subject: NN: Random Thoughts and Grafton Street
Date: Sun, 19 Dec 1999 02:13:47 EST
From: VickiStein@aol.com
"Flyer" is now playing here (though the Drovers are in town, and I'd love to
be there, dancing and singing with my pals, but priorities have dictated the
course of my Saturday, which has transitioned into the infant hours of
Sunday), and I'm in a "Grafton Street," kind of pondering, mood.
Thinking of "fools who've drowned in their fountains of youth"....and those
"Saturday nights far from the madding crowd."
Tilted tree and all, I am more ready than ever for the Christmas Holiday this
year. Presents purchased, home hallelujahed, candles glowing, candies and
cookies created in the confines of my humble kitchen, even prepared the
chicken tettrazini for tomorrow's family party! In spite of all of it, from
the winter wheat to the advent wreath, my favorite part of the holidays was,
is, and always will be the music. How I miss not singing sacred music in a
choir!
And as I watched the PBS Lawrence Welk Christmas Special (reminds me of
hugging my sweet grandma who smelled of canned heat from the old-style press
iron and Boston Brown Bread and of my stern grandpa with a warm smile who
stank of cigar smoke and hated bubblegum), and as I have listened
(sporadically, I must admit) to Christmas music, from dulcimer instrumentals
to Vince Gill to Kathleen Battle, the song that rings closest to true in my
heart this year is "Grafton Street."
"You're the one thing I never thought
I could live without
And I just found this smile to think about you...."
What a gift! The smile that comes from the result of a loss, despite the
"elbows that push us 'round."
Nanci warms my heart this Christmas....."The Christmas Song (Chestnuts
roasting on an open fire)" is great, but life ain't always like that.
Nanci sings to reality.
Vicki (waiting for the church bells to ring for holy hour) Stein
_________________________________________________________________
Subject: NN: ACL
Date: Sun, 19 Dec 1999 10:28:04 EST
From: Tricia9999@aol.com
Last night one of our local PBS stations showed the Townes Van Zandt (1998)
tribute on Austin City Limits, so keep an eye open in your area.
Nanci and James sang Tecumseh Valley. The stage was filled with folks. Good
show.
Hope everyone is enjoying the holiday season,
Tricia
Berkeley, CA
_________________________________________________________________
Subject: Re: NN: Nanci in Pittsburgh
Date: Sun, 19 Dec 1999 23:13:04 -0500
From: kenn lippert (lippert@fyi.net>
>So, what was your opinion of the show? Sounds like it was a good one. I'm
>curious if you liked it better than the South Park concert. That was
>definitely one of my favorites of 99. (the best of the Nanci ones for sure)
Steve,
It was simply magic. I just didn't have it in me to write any kind
of review (I didn't even keep a set list). Emotionally, this one may
have been a bit deeper because of the added impact of the charities
involved (local child abuse prevention agencies). Nanci introduced
"It's a Hard Life" by describing hatred (passing it on to our
children) as a form of abuse, and as a disease that can be eradicated
in one generation. Musically they were about even. "Drops from the
Faucet" was mesmerizing. When she began just the first two notes of
"Love at the Five and Dime" the entire theater fell into a hushed
silence of anticipation. Again she had my eyes "singing" along with
her and spilling their "songs" on my cheeks.
The show opened with Dar Williams, and if the loudy-singing-along,
shrieking, teen-aged fan behind me was any indication, I guess Dar's
set was well received. Her style of singing, playing, and penchant
for squeezing as many words as possible into each and every bar of
music just doesn't reach me. (Sorry Inga). She was funny and
entertaining though.
Lisa (Rocalittl@aol.com) already did a wonderful job of capturing
most of the evening. I was very impressed to hear of Nanci getting
involved in the Landmine Free World organization. I know she will be
a tireless, effective activist. Who can resist that West Texas
charm?
She was warmly received by the soldout (and not very many no-shows)
audience despite my impression that not all were hard core Nanci
fans. I did have to educate one well dressed couple in the foyer
about the identity of one James Hooker (they saw his Christmas tape
for sale). Some of the folks that splurged for the $75 gold circle
tickets didn't even know that they were being given invitations to a
reception after the concert with the musicians (but as Lisa related,
I don't know if Nanci participated or not.) Sitting just one row
behind the gold circle, I was tempted to say to a few people "well if
you really don't care about meeting Nanci....".
I cannot recount many musical highlights of the evening, there were
too many. But a few things stick in my mind. Lee *really* seemed to
get into her harmonies in "Outbound Plane". She was throwing her
head back and letting loose. As always I found my falsetto softly
singing along with her. She is such a unimposing but powerful
addition to the BMO. But lest she get a big head, I saw when she
started playing along on one song (forget which one now) with her
mandolin capoed up a fret or two. After a moment, she made a funny
face, quietly slipped the capo into the waistband of her skirt, and
continued playing. Been there, done that (well not in a skirt of
course).
So all in all, my seat was better back in May, but the acoustics were
better in the Carnegie Music Hall. She was witty, charming, and
delightful both nights, and I think she won over many new fans in the
intimate confines of the Hall, but of course last May I met, talked
to her, and she signed my guitar.
Might as well ask which of my children I love more.
Happy Holidays to You and Yours, and Best Wishes for the Last Year of
this Millennium,
kenn
_________________________________________________________________
Subject: NN: pitt. concert
Date: Mon, 20 Dec 1999 07:16:49 EST
From: Scaryxxx@aol.com
I've been hoping to see something about the pittsburg concert,did anyone
attend and can we get a set list,thanks gary
_________________________________________________________________
Subject: Re: NN: pitt. concert
Date: Mon, 20 Dec 1999 10:19:21 -0500 (EST)
From: Kenn Lippert (lippert@fyi.net>
Well as I said before, I didn't keep a set list but I'll do what I can
from memory. Other than the first and last songs, nothing else is
neccessarily in order.
Across the Great Divide
Speed of the Sound of Loneliness
These Days are an Open Book
Flyer ("I get more letters from PittsburgH about this song.")
Grafton Street
Love at the Five and Dime (As soon as she played that first "ding", you
could've heard a piece of popcorn drop into a wad of bubble gum stuck to
the bottom of a leather soled shoe)
Outbound Plane (Lee was rockin')
This Heart (I prefer the powder blue Strat)
Drops From the Faucet (who could ever stand Nanci up?)
Brave Companion of the Road
Well Alright
Gulf Coast Highway (Mr Hooker, as charming as ever)
Mazzula Midnight (?? Lullaby for her goddaughter)
Tell Me How (Buddy Holly song)
Trouble in the Fields
It's a Hard Life (wow)
Wing and the Wheel
I know I am forgetting a bunch, help me out Lisa. She sang for almost 105
minutes.
kenn "I miss her already" lippert
_________________________________________________________________
Subject: Re: NN: pitt. concert
Date: Mon, 20 Dec 1999 04:39:13 -0800
From: "John Houser" (jchouser@earthlink.net>
> Flyer ("I get more letters from PittsburgH about this song.")
Did she tell more to the story? Then again, maybe I don't want to
know, the song - and the CD - are high on the favorites list...
> Drops From the Faucet (who could ever stand Nanci up)
My sentiments exactly! - those guys should turn in their guy cards if
they stand somone like Nanci up, especially on New Year's...
Reminds me, I saw this in the LA Times a day or 2 back (and as I
write this, its about 4AM, couldn't sleep, maybe this article's the cause?
Beware out there if you are in the same boat as me and don't yet have a
date):
http://www.latimes.com/news/state/updates/lat_date991218.htm
Initially, thought this article was kind of comforting, others having
similar feelings about finding the right person, hmmm, maybe that's why I
like Nanci's music so much...
Well, could be the last post of the year, so Happiest Holidays out there,
stay safe, and, in case of Y2K meltdown, have enough power to keep the Nanci
CD's running at least ( I am almost comforted in the knowledge that I'm
spending New Year's with several professors in a fairly quiet beachfront
local - can't be much better prepared if we ned to do a Gilligan's island
thing - but, then again, almost all of our efforts to date in making
survival equipment from coconuts and palm leaves have not turned out
well)...
OK, the body is ready for bed again, but how about a tired attempt at a
thought for a thread - most appropriate music for this particular millienium
New Year's Eve?
Take care out there...
_________________________________________________________________
Subject: NN: re:from blue moon to moon river
Date: Mon, 20 Dec 1999 09:50:13 -0800 (PST)
From: Bob Riegner (rg48@yahoo.com>
Hello Netters--
I have had one of the greatest songs ever written going
thru my head all morning--"Moon River"--and suddenly
occured to me that I wished Nanci would record it.
Henry Mancini once said that "Moon River" was really a
folk song, the only one he'd ever written. The lyrics
by Johnny Mercer are so beautiful:
Moon River
Wider than a mile
I'm crossing you in style
Someday.
You dream maker
You heart breaker
Wherever you're goin'
I'm goin' your way.
Two drifters
Off to see the world
There's such a lot of world
To see
We're after the same
Rainbow's end,
My huckelbery friend
Moon River
And me.
My all time favorite movie scene is Audrey Hepburn
sitting in the window with her guitar singing Moon
River, in "Breakfast at Tiffany's.
I can hear Nanci and the BMO right now performing it.
Anybody agree? Your comments please.
Bob Riegner
_________________________________________________________________
Subject: Re: NN: re:from blue moon to moon river
Date: Mon, 20 Dec 1999 13:21:41 EST
From: Brimpls@aol.com
Dear Bob,
I think "Moon River" would suit Nanci just fine. I like the lyric "my
huckleberry friend" best.
When my sister and I were growing up, my mom had a job as secretary of a
college's concert series. We always got free tickets and sometimes even snuck
backstage to meet the artists (like Diana Ross and the Supremes, what a
thrill!). This was the '60s and early '70s.
One year, Henry Mancini came to give a concert on this series. We were able
to attend and sat in choice seats up in the balcony. Mancini played piano and
sang and had a little jazz combo backing him up. At one point during "Moon
River," he looked right up at us. I still remember his beautiful blue eyes!
My sister and I just sort of gasped. The song has always been special to me
because of that. And of course my sister and I argued endlessly about whether
Mr. Mancini had been looking up at her or at me...sibling rivalry! We both
wrote him fan letters the next day. We must have been eight and nine years
old. In her letter, my sister actually asked him "Were you looking at me
(blonde) or my little sister (brunette) when you looked up at the left
balcony during 'Moon River'?"
We never got a reply, but the memory remains...
Sabrina in Mpls.
_________________________________________________________________
Subject: Re: NN: re:from blue moon to moon river
Date: Mon, 20 Dec 1999 13:40:50 -0500
From: "Diane B. Wilkes" (diwilkes@erols.com>
Dear Bob,
I would love to hear Nanci record this, but almost as good is Mary Black's
version of the song.
And I am partial to Jerry Butler's, as well.
Diane
_________________________________________________________________
Subject: Re: NN:from blue moon to moon river
Date: Mon, 20 Dec 1999 15:18:52 -0500
From: Steve Robertson (stever@mindspring.com>
> I have had one of the greatest songs ever written going
> thru my head all morning--"Moon River"--and suddenly
> occured to me that I wished Nanci would record it.
I, too, have always liked "Moon River". When I was living in Johnny
Mercer's hometown of Savannah, GA, I made the mistake of looking for the
river that inspired the song. Those of you who have visited the
Lowcountry know that the waterways called "rivers" are mostly short
creek-sized spaces between marsy islands. Let's just say that the only
inspiration Mercer derived from the real Moon River was the title!
Hidin' Out in the Georgia Pines-
Wishin' It Would Rain,
Steve Robertson
_________________________________________________________________
Subject: Re: NN: re:from blue moon to moon river
Date: Tue, 21 Dec 1999 00:45:17 EST
From: VickiStein@aol.com
rg48@yahoo.com
writes:
(( My all time favorite movie scene is Audrey Hepburn
sitting in the window with her guitar singing Moon
River, in "Breakfast at Tiffany's.
I can hear Nanci and the BMO right now performing it.
Anybody agree? Your comments please.
>>
Bob, Oh...I see it, hear it, as clear as a bell. Nanci will do Moon River
justice.
This song had a HUGE influence when my ex-husband and I named our
daughter "Audrey...." He wanted to name her Trudy, and I wanted to call
her "Audrey..."
It all came down to Breakfast at Tiffany's, the scene in the jewelry store,
and we both agreed that "Audrey" was IT.
Was quite lovely...and so is she. Thanks for the memory.
Peace,
Vicki
P.S., Not normal for Aud, but one of her Christmas gifts is an Audrey
Hepburn doll...
_________________________________________________________________
Subject: NN: The Years End
Date: Mon, 20 Dec 99 20:20:39 +0000
From: John Edward Graveling (kai21@dial.pipex.com>
The first snow of Winter has fallen here in Southern England, so since
Saturday night we've had a white covering which is reluctant to melt in
the freezing temperatures. It's given me time to reflect on a truly
fantastic year for new music, live music and new friends. I'm not sure I
can bring myself to list a top ten, there have been way too many great
releases to limit myself in such a way. If you have any, or all, of the
thirty or so I have listed you will not be disappointed!! But a few
reflections:
The early part of the year brought the discovery of Bo Ramsey, sometime
guitar player to Lucinda Williams, and the realisation that he had three
cd's of his own out. If you like good bar room roots rock, Bo can't be
beat. Stacey Earle released the stunning "Simple Gearle", although I have
to admit it did not make it's full impact on me until I saw her live in
London in October. She is the closest thing I've seen to Nanci, circa
1985-88, and a simply intoxicating performer. Other goodies released
about this time were, Kelly Willis "What I Deserve", Lucy Kaplansky "Ten
Year Night", Tom Pacheco "The Lost American Songwriter" (a magazine in
Britain had this in it's top five of the year simply saying, "Stark and
totally absorbing, Pacheco is a master craftsman. He tells it like Dylan
used to tell it when we were all so much younger, before we stopped
believing"). But one of the absolute highlights also hit the stores about
this time, Vince Bells' "Texas Plates", a true gem of a record, full of
telling tales of people struggling to make ends meet, people looking for
love, stories of Texas, reflections of real life, brought to life by
Vince's own inimitable voice and some stellar musicianship.
May brought me to the States for the first of two trips and a gathering
of the moonpie gang in Memphis. The weekend, spent in the company of many
friends, was climaxed by the gig of the year, Kate Campbell playing a
simply staggering 3 hour 20 minute set of old and new material and
treating us to a preview of the awesome "Rosaryville". An afternoon
simply never to be forgotten, followed by a great barbeque at Kelly's old
pad. I then went on to Nashville and had the privilege of sitting on
Vince Bells porch listening to tales of Texan music and the people and
places he'd been, a simply wonderful afternoon in the early summer sun.
Recorded highlights of this time were, Rainravens "Rose Of Jericho",
Stacy Dean Campbell "Ashes Of Old Love", Jonell Mosser "So Like Joy" and
Kevin Welch's astounding "Beneath My Wheels".
I returned briefly to England before hitting the Stateside trail again in
late July. Nashville threw some great live shows at me , Kevin Welch at
the Exit/In, the Townes Van Zandt tribute at the same venue and one Davis
Raines at The Sutler (Davis is a genuine country singer and someone who
deserves to make it big). The weather was fantastic as I lay on the beach
at Gulf Shores in Alabama, relaxing and getting away from it all.
Back later to Nashville and more recorded highlights, Tom Kimmel "Short
Stories", Buddy Mondlock "Poetic Justice", Kate's "Rosaryville", Ray
Wylie Hubbard's simply awesome "Crusades Of The Restless Knights", Bruce
Robison "Long Way Home From Anywhere", Tim Easton "Special 20", Kim
Richey "Glimmer", the vastly under-rated Catie Curtis "Crash Course In
The Roses" and the quirky writing style of Jim Lauderdales' "Onward
through It All".
Back to England and the new school year, Autumn (Fall) was now closing
in, but some great shows, the aforementioned Stacey Earle, Kim Richey and
Mary Chapin Carpenter. Super cd's from the Dixie Chicks "Fly", John
Randall "Willin'", John Prine "In Spite Of Ourselves" and Bruce Henderson
"Beyond The Pale".
Finally Winter seems to have arrived but the last batch of cd's have
certainly warmed my heart recently, Guy Clark "Cold Dog Soup", Buddy
Miller "Cruel Moon", Tom Ovans "The Beat Trade", Counting Crows "This
Desert Life", Bob Delevante "Porchlight", Bob Cheevers absolute gem, "The
Stories I Write", Tom House "til You've Seen Mine" and Irene Kelleys'
"Simple Path"
So, all in all, a wonderful year rounded out by an outstanding release,
y'all should see it by the turn of the year, Kevin Montgomery "Another
Long Story".
Thanks to all who made the year so special, my first meeting with Gin and
Tom, Kelly, Richard, Donna, Bruce and Gerti, Ami and her husband, not
forgetting the 'quiet man' Bill Cox. Once again to Shawn and Amanda,
thanks for your friendship. Sarah and Vince, may the success you so
deserve be not long in coming, and to Kevin, the journey has just begun,
may it be long and fruitful.
Thanks to y'all for 1999, see you in the next century.
John "ramble on" Graveling
_________________________________________________________________
Subject: NN: re:correction
Date: Mon, 20 Dec 1999 16:57:19 -0800 (PST)
From: Bob Riegner (rg48@yahoo.com>
Dear Netters,
Sorry I'm obsessive, compulsive--but I left a line out
of the lyrics to Moon River. The last verse should
read:
"We're after the same
Rainbow's end
Waitin' round the bend
My Huckleberry friend*
Moon River
And Me"
*One of the greatest lyrics ever written.
By the way, the day after Audrey Hepburn died,
Tiffany's put up a plaque saying "Our Huckleberry
Friend" Audrey Hepburn.
Now I feel better.
Bob Riegner
_________________________________________________________________
Subject: NN: Profile of Ashley MacIsaac
Date: Mon, 20 Dec 1999 21:00:04 -0500
From: Sam and Joan (joansam@erols.com>
Anyone who may still be wondering why Nanci quit the Chieftains Tour in the
summer of 1997 should read the very negative profile of fiddler Ashley
MacIsaac in the December 20, 1999, New Yorker magazine ("Sex, Drugs and
Fiddling," starting on p. 48). MacIsaac was added to that tour as an
unexpected first act before Nanci and the Chieftains. After reading the
article's profile of MacIsaac one can understand why Nanci wanted out of the
tour after a few concerts.
_________________________________________________________________
Subject: Re: NN: Profile of Ashley MacIsaac
Date: Mon, 20 Dec 1999 23:34:14 EST
From: VickiStein@aol.com
I read that, but who really knows for sure? Other than Nanci or the
Chieftans...I agree that the muggledeemush from the media stinks, but who are
we to judge or make that assessment? Not I, for one....sorry if I offended
with my liberal comments.
Vicki (still ranting and roaring) Stein
_________________________________________________________________
Subject: NN: Re: Profile of Ashley MacIsaac
Date: Tue, 21 Dec 1999 00:33:10 -0500
From: Shawn Kimbro (kimbro@planetc.com>
Hey,
I see Ashley is still kicking up dust. After all, fiddlers *do* have a
reputation to live down to you know. I read that Faulkner's first
impression of life in Oxford, Mississippi was the hanging of a local
fiddler. I always figured it influenced his entire outlook. I had front
row seats to a concert which was scheduled two nights after Nanci left
that tour. I went anyway, wearing a blue-moonie t-shirt and NanciNet
badge, mentally prepared to hate MacIssac. Instead, I was as favorably
impressed with his performance as with any show I've attended in recent
years. And I've heard a lot of fiddlers.
I regret the fall-out with Nanci and the whole Chieftains thing. But in
hindsight, we know that she was ill and that MacIssac was invited on the
tour as an after-thought by the Chieftains, who should have considered
the impact it would have on her show. He was a great opening act for
them, but I can't imagine anyone worse for Nanci. And yeah, I probably
agree with the New Yorker that he's a rude little snot. But dern, that
boy can saw the devil outta that snake box. I buy all his albums.
Warm Regards,
-Shawn
_________________________________________________________________
Subject: NN: My 1999 Top Ten
Date: Mon, 20 Dec 1999 23:24:30 EST
From: BMiller224@aol.com
This is my Top Ten list for the year. I took it for granted that classical
discs were fair game to be favorites.
(10) "Return of the Grievous Angel." Despite the almost inevitable eclectic
quality of tribute albums featuring multiple acts, this is an enjoyable
recording for those who appreciate Gram's songs, as well as a good
introduction for those who don't know them. Standouts include Beck Hansen
and Emmylou Harris (the producer) on "Sin City", Gillian Welch's hauntingly
beautiful "Hickory Wind", and the Cowboy Junkies' definitive version of "Ooh
Las Vegas."
(9) Cowboy Junkies, "Rarities, B-Sides and Slow, Sad Waltzes." As the title
implies, these tunes are a bit more raw that the usual published album. But
for those of us hopelessly addicted to the CJ's music and to Margo Timmins'
voice, it's a real treat.
(8) London Symphony Orchestra/Loma Mar Quartet, "Working Classical." This is
a new collection of classical pieces by Sir Paul McCartney. The Loma Mar
Quartet performs nine instrumental arrangements of McCarney's songs,
including "Maybe I'm Amazed", his first solo hit after he left that singing
quartet he started out his career with. They also play two original
compositions for this album, "Haymakers" and "Midwife." The London Symphony
plays three longer pieces McCartney wrote for orchestra. His classical work
is accessible but interesting contemporary music, and the three orchestral
pieces show that he has a real talent for it. It ISN'T all "silly love
songs."
(7) "John Stewart and Darwin's Army." Billed as John Stewart's first band
since the Kingston Trio, this quartet of John and Buffy Stewart, John Hoke
and Dave Crossland provides a pleasant collection of folk songs, both old
("Darlin' Corey") and new ("Dreamland", "Blood in the Fields"). Included are
interesting takes on Joe South's "Don't It Make You Want to Go Home", Merle
Haggard's "Silver Wings" and Tim Hardin's "Reason to Believe."
(6) Emmylou Harris, Linda Ronstadt and Dolly Parton, "Trio II."
It's unfortunate that business disputes delayed the release of this beautiful
sequel to the original "Trio" by several years. Many of the songs touch on
the theme of lost youth and the struggle to find hope. A surprise treat for
me was Neil Young's early ecology-minded song, "After the Gold Rush."
(5) Steve Earle and the Del McCoury Band, "The Mountain." Steve Earle turns
his great talents to an album of bluegrass full of references to other
popular song writers, a little Jimmie Rodgers here, a little Woody Guthrie
there. Iris Dement's duet on "I'm Still in Love with You" is gorgeous. The
title of "Dixieland" leaves the listener off-guard the first time around for
a hard-hitting Civil War song - from a Union point of view.
(4) Philip Glass, "Dracula." (classical) It seems fitting that this album,
which really is a soundtrack that Glass composed for a new release of the
1931 Bela Lugosi horror film, is not billed as a "soundtrack" with an extra
dollar tacked onto the price. It stands on its on as an intriguing,
emotional work. It is also extremely effective in the movie.
(3) Kate Campbell, "Rosaryville." Is it the stories that grab the listener
about Kate Campbell's songs? Or the music? Can we separate the two? In any
case, Kate's fourth album explores the Catholic side of the South but also
represents a departure from the more regional emphasis of her previous
"Southern trio" of recordings. Kate's tremendous talent at both writing and
presenting memorable songs is illustrated here in particular by two pieces
that present themes of divided loyalties, "Rosa's Coronas" and "Look Away."
(2) Linda Ronstadt and Emmylou Harris, "Western Wall." Linda and Emmy hit a
home run with this one. Songs like "Raise the Dead" and Jackson Browne's
"For a Dancer" highlight some of what made their reputations in the first
place, while Leonard Cohen's "Sisters of Mercy" and Rosanne Cash's "Western
Wall" show their willingness to take on provocative material. Bruce
Springsteen's "Across the Border" is the story of an immigrant couple who
hope to fulfill their dreams by returning to Mexico.
(1) Kelly Willis, "What I Deserve." If only all the music that is called
"country" were like this. A beautifully constructed album, Willis'slightly
nasal delivery nevertheless gives it a rough edge that is very appropriate.
The title song is a provocative take on faith and doubt. And "Cradle of
Love" is, well, one of the sexiest songs I've heard in a long time.
Bruce Miller
San Bruno CA
_________________________________________________________________
Subject: NN: The NPR poll
Date: Tue, 21 Dec 1999 10:40:19 -0500
From: Steve Robertson (stever@mindspring.com>
Hey Folks-
Remember back a few months ago when we were discussing NPR's balloting
for "The 100 most important American musical works of the 20th century"?
Well, they've counted the ballots and posted the results here:
http://www.npr.org/programs/specials/vote/list100.html
It looks like the Folk and traditional Country categories were fairly
represented.
Hidin' Out in the Georgia Pines-
Wishin' It Would Rain,
Steve Robertson
_________________________________________________________________
Subject: NN: Wandering strange
Date: Tue, 21 Dec 1999 17:21:12 +0100
From: "Hans Janssen" (hjanssen@zeelandnet.nl>
Hi,
The ones who gave Kate Campbell the benefit of the doubt by putting her new
CD "Wandering strange" in their top 10 before it was released were right.
It is a great CD.
met vriendelijke groeten,
Hans Janssen.
see: http://tradefolk.da.ru/
_________________________________________________________________
Subject: NN: Trouble in the fields
Date: Tue, 21 Dec 1999 03:16:37 -0800
From: Tom Gill (tgill@igc.org>
There's trouble near the fields of Lockney, Texas (on the plains
northeast of Lubbock), where Nanci's aunt lived and where she spent a
lot of time growing up. AGCO-Tye's farm equipment manufacturing plant
will shut down and close its doors for the last time in June 2000.
The company has been making planters, spreaders, tractors and loaders for
almost 50 years, but according to a company spokesman "due to the
agricultural downturn, we have excess capacity as a company. There will
be some kind of severance package but there is no funded pension plan."
AGCO-Tye employs about 50 people- the largest single private employer
in Lockney, and the plant's closing is expected to have a major impact
on the small town.
-Tom Gill
tgill@igc.org
Lubbock, Texas
_________________________________________________________________
Subject: NN: Feb 13 in Memphis
Date: Tue, 21 Dec 1999 14:13:17 -0600
From: Justin Marquez (jmarquez@flash.net>
Anybody know what's happening with the Feb 13 Kate Koncert in Memphis? The
Center for Southern Folklore's answering machine says they are CLOSED from
Dec 15 to April 2K. Has the concert been rescheduled somewhere else? Is
there to be a gathering of moonpie folks somewhere? I was hoping to
actually meet some of you folks this year!
Justin
Justin Marquez
Houston, TX
_________________________________________________________________
Subject: NN: The return of the archives
Date: Tue, 21 Dec 1999 15:28:12 -0600
From: Shelly Brisbin (sbrisbin@prismnet.com>
Hi NanciNetters,
The NNet archives can once again be found at
http://brisbin.net/Nanci/arc.html. Other than the archives
themselves, the site hasn't been updated, but I'm hoping for a little
free time this weekend.
Merry Christmas to them that's celebratin' and Happy New Year to all!
-shelly
_________________________________________________________________
Subject: Fw: NN: Profile of Ashley MacIsaac
Date: Wed, 22 Dec 1999 01:53:16 -0500
From: "Kenneth Johns" (KJohns2001@email.msn.com>
> Did the article mention anything about Ashley accidentally tearing off
> Nanci's earlobe with the end of his bow? I always thought that in itself
> would have been sufficient reason.
I was on the net when this concert took place, but I don't recall this ever
coming up in the discussions. Did he really do this?
DJ "may your own wings and wheels take you whereever you wish to go"
_________________________________________________________________
Subject: NN: Top Ten
Date: Wed, 22 Dec 1999 12:10:19 -0000
From: "Pugsley, R.M." (rmp6@leicester.ac.uk>
Dear all,
Firstly thanks to Dave Dwyer who managed to get his holiday
exchange tape to me before Xmas! Thanks Dave I going to enjoy
listening to it...
As to my top ten, I have to say that although I listened to a lot
of music this year (a lot of good stuff too) no one album 'did it'
for me, so I've picked out some standout tracks as well...as usual
a lot of dance stuff you may wish to avoid...;-)
Beth Orton - Central Reservation - really nice album reminds me of
Nick Drake (of whom more later)...best track - 'Sweetest Decline'...
Jim O'Rourke - Eureka
This is almost really good all the way through, but gets a bit doodly
here and there (oh don't you just love these accurate musical
descriptions...)
Nanci Griffith - Dust Bowl Symphony
Well I liked it, any album that get's me blubbing gets my vote (still don't
like Pre War Kimbell but my significant other loves it so I must be wrong...)
Mogwai - Come On Die Young
I think postrock might just be heading down a dead end but in the meantime,
Scotlands finest slow burning quiet-then-loud-then-quiet-again band...
Air - Premiers Symptomes
Compilation of rare stuff which (unlike so many compilations like this) is
far more than just the odds and ends, includes probably their greatest hour
(or five minutes) 'Le Soliel est pres de Moi'
Moby - Play
Samples from old Blues and gospel records mixed up with house beats, indiepop
and anything else he could get his hands on, a return to form.
Blackalicious - Nia
Late entry for rap album of the year (although I haven't heard the
Mos Def album yet and that's supposed to be fine too) just beating out
the Quannum collective (of whom they are a part - fact fans!)
Basement Jaxx - Remedy
This album has everything a dance album should have - and loads more, a
combination of weird sounds, brilliant beats and jump up vocals - in the middle
of the dance classic of the year (Rendez-Vu) you can a cat miaow...fantastic...
David Axelrod- An Axelrod Anthology 1968-1971
Compilation of the arranger/producer genius who is David Axelrod - hear the
Electric Prunes one more time! Plus just where did Dy Shadow get his beats
from...?
Mr Scruff - Keep It Unreal
So much dance music has no sense of humour whatsoever (check out the Puff Daddy
album for instance...he's rich and going out with Jennifer Lopez but does he
ever have a laugh...? ) that we nee Mr Scruff now more than ever -
also has great jazz samples...
In actual fact a lot of my favourite albums of the year didn't come out this
year so let's here it for Nick Drake's 'Bryter Layter' (am I late with this
one...?), Cheryl Wheeler's 'Driving Home' (the second time I've had to buy this
- the first copy went missing!) and Ride The Wild Surf - a surfin' compliation
I bought for £2 and which has bought me untold joy throughout the year...
Robert (let's go surfin' now, everybody's learning how...) Pugsley
_________________________________________________________________
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