NanciNet Digest 8-25-01


// Concert report from California...and more
// ...Enjoy!  [BP]
_________________________________________________________________ 

Subject: NN: Nanci in Saratoga
   Date: Sat, 25 Aug 2001 11:47:04 EDT
   From: Tricia9999@aol.com

What a wonderful evening! The Mountain Winery is such a beautiful place, one 
of the most beautiful places I've ever been. (I can still picture vividly a 
Cal Tjader show from years ago). Nanci was in a great mood, we had front row 
seats in this very intimate venue. It was perfect. Jim, my husband(who plays 
bass and guitar), could watch Chas. and Ron and even see the settings on the 
amp. 

We spied Nina Gerber before the show and I hoped that she would be invited to 
play -- sure enough when it was time for Across the Great Divide she was 
called upon. She stayed for a few numbers, left and came back up toward the 
end for a few more. 

Nanci cried a bit when introducing 'Where Would I Be'. I must admit I never 
quite understood why her drummer thought that song was "all about your life." 
She said that when she went through cancer and spent time getting well, her 
fans were all there rooting for her and helping her to come back. I have such 
empathy here having been through the exact same thing at about the same time. 

She sang 4 songs from the new one: the title song, Where Would I Be, Pearl's 
Eye View, Lost in The Sun. Oh yeah, and Traveling Through..., but she has 
been including that for some time. Encore included Wall of Death and Wing and 
A Wheel. I am sure the set list is the same as we have been hearing from 
other shows, so I won't go into the whole thing. 

We sat next to an adorable little 4-5 year old girl and Nanci enjoyed singing 
to her throughout the show and gave her and another little girl a big hug at 
the end of the show.

all in all a great evening,
Tricia

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Subject: NN: Music
   Date: Tue, 21 Aug 2001 23:20:11 -0400
   From: kjohns2001usa@netscape.net

I wonder if Donate would consent to letting her fellow Nanci netters know 
when she is going to be performing in public?  And, maybe, she could let us 
know if she has any CD's or Cassettes of her music out there we could look 
for?
Best,
DJ

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Subject: Re: NN: Music
   Date: Fri, 24 Aug 2001 10:22:16 -0400
   From: DvBGardner@genelogic.com

kjohns wrote:    ((((I wonder if Donate would consent to letting her fellow
Nanci netters know when she is going to be performing in public?  >>>>

DJ -- Very kind of you to ask.    There are a number of much more
established and accomplished musicians on this list who you may want to
check out before you put any bets (or hopes) on my humble creative efforts
which, after all, are all done "on the side" while struggling through life
as a working mom.     Now, if you live close to the Washington, D.C. area,
I'll be glad to share future events with you.   As for "performing in
public", it clearly depends on which public you're talking about -- and
whether we're performing classical, folk, contemporary, spiritual music,
etc. Thus, I've been playing different music in different venues - by
myself, with a partner, or in various groups.    We play anywhere from our
local church to homeless shelters to weddings, funerals (yes, I've written
music for funerals -- I know, it sounds morbid, but it's a great honor to
be asked to do this), youth gatherings, private parties, etc. etc.
While I've been a musician almost all of my life, I am still a bit shy
about public performances other than the unpaid or charitable ones.    So,
unless and until MUSIKERIN (TM) -- my musical pseudonym -- becomes a big
hit overnight, I'm hesitant to advertise beyond my trusted circles.
I've been urged to publish and submit to our local radio station the most
recent piece of music I mentioned a couple of weeks ago.    I am working on
that right now and I'm looking for the right musicians to perform and
record this particular piece.     I want my music and lyrics to be heard,
not necessarily performing it myself --  I'm all for someone else
performing it :).

Depending on which band I play with at times, I sometimes also play in
bars, etc. (I'll do anything for free vodka :).       You may remember not
too long ago, I was sending out some excited utterings to the nancinet
about a series of gigs our band "Earth Signs" was doing in the Washington,
D.C. area.    I tried to entice y'all with the promise that we would do a
couple of Nanci covers along with our own originals and some other covers.
I received responses from some local nancinetters, but none of you showed
up!!!!!!!    Resigned, we abandoned the band and are now concentrating on
recording.

((((((And, maybe, she could let us know if she has any CD's or Cassettes of
her music out there we could look for?>>>>>

Yep, I do have some home-made cassettes of a variety of my original music
and I'll be glad to share some with you, if you're really interested.
I'm currently working on getting my websites up (musikerin.com,
musikerin.net and musikerin.org -- each with a different mission in mind).
We will eventually post various works of fellow writers and musicians on
the .net and .org sites to share with like-minded or interested artists.
You may also find some of my music and poetry/essays on another website (
sonrisecafe.com) which is not quite up and running yet and only has some
test messages, etc. on it right now.   That website, however, is strictly
spiritual and a forum for a network of artists, writers and musicians I
belong to.   This group of people comes from all walks of life and
professions and is devoted to using their respective  talents in service to
spiritual and/or charitable causes.     If you're interested in that area,
check that website in a couple of months to see what it has to offer.

As for that long-awaited CD --- my good companion of the musical road,
nancinetter Gordon, had worked with me in the past to record our originals.
Unfortunately, he packed up his gear and left for Missouri before we could
finish up our CD.    After much coaching, praying, chanting and performing
a variety of secret voodoo rituals, I have managed to get him to move back
into our area (he doesn't know it was me who did that, so sssssssh, don't
let him know!)    We are definitely going to focus on completing recording
this year.     Perhaps we'll have the CD finished by Christmas, Gordon?
Nudge, nudge, nudge......... :)   Maybe with some pressure from other
nancinetters, he'll be inspired to expedite the process?

I'm, of course, always willing to send some of my originals to other
musicians who would be willing to perform them.   How about it, Shawn?
Would Mountain Soul do some of my folksie stuff?   I promise, it wouldn't
be in German.    Anyway, D.J., depending on where you live, I'm sure there
are other nancinetters who probably have a lot more to offer than I do, but
-- for what it's worth -- if you're really interested, let me know and I'll
send you some cassettes, okay?

Well, enough about me, D.J.     Let's talk about you -- are you interested
in my music? :)
Sorry for long post.   Haven't had my coffee (or vodka) yet.
Donate "off to a long meeting now -- yawn!" v.B.-G


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Subject: NN: No Stevie slight intended
   Date: Wed, 22 Aug 2001 09:18:43 -0600
   From: "Greg Hill" (gfhill@freshbaked.com>

David (and any other Stevie Nicks fans),I am actually a Stevie fan myself. I
only meant the "blasphemy" crack in the sense that many fans seem to take
offense when Nanci is mentioned in the same sentence with anyone else. The two
of them seem sort of like oil and water to me and I really can't picture them
on the same stage.

I'd sure pay to see it, though.          
Did anyone see the latest Amazon email blurb? Here it is (sent with the title
"New Albums by Alison Krauss, Gillian Welch, and More"). I guess Nanci comes
under "and More". Anyway, "Clock Without Hands" was listed third with the
following review:          
"Depending on your viewpoint, Nanci Griffith has: 
a) aged gracefully and delivered a mature and strikingly honest new record of
original songs;
b) completely abandoned her Texas country-folk roots in favor of a more 
glossy, middle-of-the-road sound; or 
c) become an overly precious artist who's forgotten how effective her
pared-down style and direct vocal delivery was. 
It seems each opinion has some validity to it, but there's no question that
Clock Without Hands is an incredibly personal and soul-baring effort."          
>From my viewpoint, I'd vote for "a".       
Greg
Now playing Alison Krauss and Union Station's "The Lucky One" since it
was a free download.


_________________________________________________________________

Subject: Re: NN: No Stevie slight intended
   Date: Thu, 23 Aug 2001 09:15:31 -0600
   From: Paul Larsen (Paul.Larsen@hsc.utah.edu>

>>> Greg Hill (gfhill@freshbaked.com> 08/22/01 09:18AM >>>
---snip---

Now playing Alison Krauss and Union Station's "The Lucky One" since it
was a free download.

---snip---

Greg -

I am not sure if you are familiar with Lucy Kaplansky, but if you are, 
doesn't "The Lucky One" sound a lot like "One Good Reason"?

Paul



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Subject: Re: NN: Fine concert in Portland
   Date: Wed, 22 Aug 2001 09:48:45 -0700 (PDT)
   From: ann osborn (acsosborn@yahoo.com>

--- "Musicant, Paul" (Paul.Musicant@CAX.USA.XEROX.COM>
wrote:
> 
>       
>       Just a brief report of the fine Nanci concert at
> the Aladdin Theatre


Thanks, I was hoping someone would mention this
concert! I was so sorry to have missed it, but
couldn't get that far and back on a sunday
night...(was at the yakima jazz festival, and back to
san juans...)Sounds like a great evening. 


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Subject: NN: Rick Salt and Nails (NNC)
   Date: Thu, 23 Aug 2001 09:25:39 EDT
   From: Petop@aol.com

I recall when Joe Ely's live album came out a little over a year ago, there 
was much talk about his rendition of "Rock Salt and Nails." I thought some 
people might be interested that a wonderful version of this tune will appear 
on the Buddy and Julie Miller album to be released next month.

==================

"I don't mind if you don't like my manners. I don't like them
myself. They're pretty bad. I grieve over them on long winter
evenings."
--Philip Marlowe (Humphrey Bogart) at his best in "The Big Sleep,"


_________________________________________________________________

Subject: NN: Nanci, Dickey C and Vietnam
   Date: Fri, 24 Aug 2001 00:11:43 EDT
   From: BMiller224@aol.com


Okay, I finally got a bit of musical inspiration to take up Reid Mitchell's 
challenge about Nanci and Vietnam. 

Most people probably assume because she's an outspoken liberal Democrat on 
some issues that Nanci must be taking some sort of liberal antiwar stand in 
her current Vietnam songs.  I'm not sure the material itself gives reason to 
think that.

Specifically, Dickey Chapelle maybe would "tell you war is hell."  
But she doesn't really sound like a pacifist sort.  
I checked out the online account of Dickey's life at Military.com by 
Elizabeth Deakman.  I don't know how accurate a picture she gives of DC.  
Maybe someone who has looked into her biography a little more can amplify 
the picture.  This is the URL: 
     http://www.military.com/Content/MoreContent1/?file=vn_chapelle

According to Deakman's account, DC seemed to be sympathetic to the Algerian 
guerillas fighting against French colonialism in the 1950s.  But she was also, 
again according to Deakman, very much anti-Castro.  She claims that DC made 
bombs with anti-Castro Cuban exiles in Florida, and once almost got blown up 
by the US Coast Guard on a boat smuggling arms to Cuba - and apparently was 
not there for the purpose of taking pictures!

Deakman gives this account of DC's political stance toward the Vietnam War:

(( Now involved in the Vietnam struggle, Chapelle could not restrain her 
partisanship. Her lectures became more bombastic. Dressed in heels, 
nylons and expensively tailored clothes, she might appear on stage 
with a captured Viet Cong flag. She would throw it on the floor and stomp
 on it as she warned complacent Americans of the Communist threat in 
Southeast Asia. Some of her listeners were appalled by her intensity, 
but she got their attention. >>

I can imagine.  The Deakman article also refers to DC's article in 1962 
in *National Geographic* that Nanci mentions in her song, describing it as 
"the first major article in any magazine in the United States that even hinted 
there was a real war going on."

Now, Nanci describes this as "she blew the whistle loud and clear," and the 
easy implication is that DC was warning the US public about the escalating 
war.  But it sounds like the only whistle DC was interested in blowing was 
to warn people that we needed to be doing more to stop the Commies in 
Southeast Asia.  Deakman continues:
    
(( By 1964, anti-war activists back home were beginning to stir up public 
sentiment against America’s Vietnam involvement -- Chapelle often used 
her lectures to refute them. She considered the struggle another part of the 
on-going fight against Communism. >>

What made me focus on this tonight was hearing a new song by the Australian 
singer Kasey Chambers called "Ignorance," which is what we once called the 
"B-side" of her new CD single "Runaway Train."  The "Ignorance" cut is really 
an old-fashioned protest song.  It's not necessarily the most artful one ever 
written.  But it did what a regular old "protest song" is supposed to do - it 
made me stop and focus on what she was saying.

It starts off with the narrator sort of whining about how the papers always 
have bad news, and you first think it's going to be an "the world's a mess 
but oh baby you're all I need" kind of song.

But then she tells about hearing about how "two boys went crazy" and "15 kids 
died," apparently referring to the Columbine shooting and says though "they're 
on the other side of the world" (America), "it's way too close to home."  
The chorus goes:

     If you're not pissed off at the world
     Then you're just not paying attention
     You can turn off the TV and go about your day
     Just 'cause you don't see it, it don't mean it's gone away

A later verse includes these lines:

     We curse our moms, we build our bombs
     We make our children cry
     We watched the band while Vietnam
     Just watched their children die

She may try to cover too much ground in this song.  But doggone if this woman 
who was born in, what, 1976?, doesn't sound like what the Europeans call 
a "68er."

I don't think Dickey Chapelle would have approved of her.

And, I might add, Kasey's song comes closer to expressing the sentiments 
Nanci's hero Martin Luther King expressed about the Vietnam war than any 
of Nanci's Vietnam songs on her latest album.  

Bruce "Reid Mitchell made me do it" Miller
Oakland CA


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Subject: Re: NN: Nanci, Dickey C and Vietnam
   Date: Fri, 24 Aug 2001 11:08:49 -0700 (PDT)
   From: Reid Mitchell (reidmitchell@yahoo.com>

--- BMiller224@aol.com wrote

> Bruce "Reid Mitchell made me do it" Miller


I have the power to cloud men's minds.

Reid "the Shadow" Mitchell


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Subject: Re: NN: No Nanci - Lucy Kaplanski
   Date: Fri, 24 Aug 2001 05:32:03 -0700 (PDT)
   From: Scott Johnsen (wsjohnsen@yahoo.com>

Hi Eveyone, 

For those of you who are also Lucy Kaplanski fans, she has a new album coming 
out September 11th.  Larry Campbell (Bob Dylan), Duke Levine (Mary Chapin 
Carpenter) and Jon Herrington (Steely Dan) are among those backing her up on 
various instruments and Richard Shindell, Buddy Miller, John Gorka and 
Jennifer Kimball are among those helping out with the vocals.  I also have a 
copy of the playlist (11 songs) - if you are interested, please mail me 
separately.  I'd be happy to send them along. 

- Scott 

NP - Bill Morrissey - "Something I Saw or Thought I Saw" 

_________________________________________________________________

Subject: NN: Music and fun
   Date: Fri, 24 Aug 01 18:49:53 +0100
   From: John Edward Graveling (kai21@dial.pipex.com>


I couldn't agree more with Shawn. He plays his music for fun, and gets a 
lot of enjoyment and kudos from doing so. I promote American artists here 
in the U.K. for fun. 

I now have twelve artists/bands on my books and that is it, as I cannot 
cope with anymore and do them, and myself, justice. It is great fun. Sure 
there are hassles involved and a lot of phoning/faxing/e-mailing. But 
through it all I have made some truly great friendships, met a plethora 
of fine, hugely talented people. I also get the opportunity to go into 
the studios of Nashville, get loads of free cd's, and even get into shows 
that I do not promote free!!!! 

Of course you have to be professional, and be able to negotiate and sell 
your act, but if you choose, or get asked to represent only the cream of 
the crop, there is much enjoyment to be had. I have to remember that for 
the people I represent it it their livelihood at stake, so you have to 
garner the best deal possible.

Long live live music. Now that is a mouthful!!!!

John Graveling


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Subject: Re: NN: Rock Salt and Nails (NNC)
   Date: Fri, 24 Aug 2001 21:08:17 -0500
   From: Kim Diorio (kinno@netzero.com>

At 09:25 AM 08/23/2001 -0400, Petop wrote:
>I recall when Joe Ely's live album came out a little over a year ago, there
>was much talk about his rendition of "Rock Salt and Nails." I thought some
>people might be interested that a wonderful version of this tune will appear
>on the Buddy and Julie Miller album to be released next month.

I also *highly* recommend Kate Wolf's recording of Rock Salt and Nails on 
her excellent CD "Looking Back at You."    It includes Don Lange on guitar 
and duet vocals, as well as Nina Gerber on guitar and harmonica, and was 
recorded live at McCabe's Guitar Shop in Santa Monica in 1979.  The entire 
CD is very, very high on my list of all-time favorite CD's.  A must-have 
album for everyone on this list (IMO) and all other serious folk music 
fans.  Should be a first purchase for anyone just starting to acquire 
Kate's CD's.  What an absolutely wonderful voice.

Many, many thanks to Nanci for leading us to Kate's music through OVOR.

Looking forward to hearing Buddy and Julie's version (as well as the rest 
of their CD)!

Kim

_________________________________________________________________

Subject: NN: CWH and Patty Griffin
   Date: Sat, 25 Aug 2001 02:48:13 +0100
   From: "c.k.grew" (c.k.grew@btinternet.com>

Once again NanciNetters have really saved my bacon as they say over 
here.  Reading all the posts about CWH and the concerts that Nanci has 
been playing in the US prompted me to take a visit and buy a few CDs.  
Needless CWH was my first choice and my second, thanks again to posts, 
was Living with Ghosts.

I have listened to CWH a couple of times but know that I need to listen 
a little longer but so far I can say that I didn't like Midnight in 
Missoula much, mostly due to her intonation again.  However Travelling 
Through this Part of You and the Dickey Chappelle tribute have really 
grabbed me.

I was very wary of listening to Last Song to Mother as I am grieving 
having lost mine to suicide earlier this year and Nanci's command, 
almost, to cry, made the song feel loaded to me.  However I did cry and 
followed by the Wee Small Hours made me cry more!!!  Nevertheless, Nanci 
has proven cathartic and again shown me why her music has been so 
central to my life for so many years.

Thank y'all again for inspiring me to turn on my CD and listen to music 
again, something which has been so painful for me to do for so long.

Peace this very hot and sultry night in London
Caroline


_________________________________________________________________

Subject: NN: Nanci and Tom Russell in the UK
   Date: Sat, 25 Aug 2001 08:35:55 -0400
   From: Steve Robertson (stever@mindspring.com>

Found something interesting in the Hightone newsletter. Tom Russell's
schedule included dates with Nanci all over the UK throughout the month of
October:

3-Oct   The Borderline                  London England
4-Oct   TBA (w/ Kevin Anderson)         Bristol England
5-Oct   Hexagon (w/ Nanci Griffith)     Reading England
6-Oct   The Anvil (w/ Nanci Griffith)   Basingstoke England
8-Oct   Symphony Hall                   Birmingham England(w/ Nanci Griffith)
9-Oct   County Bar                      Perth England
10-Oct  TBA (w/ Dennis Collier)         Castleford England
11-Oct  Fibbers                         York England
12-Oct  Folk Club                       West Houghton England
13-Oct  Corn Exchange                   Cambridge England(w/ Nanci Griffith)
14-Oct  Pavillion (w/ Nanci Griffith)   Hemel Hempstead England
15-Oct  Marlowe Theatre                 Cantebury England(w/ Nanci Griffith)
17-Oct  Colston Hall (w/Nanci Griffith) Bristol England
19-Oct  Royal Concert Hall              Glasgow Scotland(w/ Nanci Griffith)
20-Oct  Opera House (w/ Nanci Griffith) Newcastle Scotland
21-Oct  Hexagon (w/ Nanci Griffith)     Edinburgh Scotland
23-Oct  Waterfront Hall                 Belfast Ireland(w/ Nanci Griffith)
24-Oct  Opera House (w/ Nanci Griffith) Dublin Ireland
25-Oct  Opera House (w/ Nanci Griffith) Dublin Ireland
26-Oct  NEC (w/ Nanci Griffith)         Kilarney Ireland
28-Oct  Barbican (w/ Nanci Griffith)    York England
30-Oct  De Montford Hall                Leicester England(w/ Nanci Griffith)

-- 
>From the Georgia Pines,
Steve Robertson
_________________________________________________________________




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